Hillary Bachelder is a documentary director, cinematographer, and editor. She is the former Director of Production at Kartemquin Films and earned both editing and production credits on over a dozen of the company’s critically acclaimed films and series, including the Emmy-award-winning Trials of Muhammad Ali, POV’s Raising Bertie, and Oscar nominated Minding the Gap. In 2015, she was selected to participate in the prestigious Sundance Documentary Edit and Storytelling lab as an up-and-coming editor of promise.

An Emmy award-winning filmmaker recently named to DOC NYC's "40 Under 40" List, Rachel Pikelny is a sought-after producer whose work has earned accolades and sparked impact, at venues ranging from the Tribeca Film Festival to Capitol Hill.

Anne Sobel is a writer and producer who loves telling stories about women stepping out of line. Her graphic novel series, Isra’ & the Black Moon Pearl, is a superhero saga that steeped in the untold history of women in the Arabian Gulf. The first book is due out in Spring 2020 via HBKU Press and will be published in English, Arabic, and French.

Jolene Pinder is a documentary producer and arts administrator with 15 years of experience in the independent film space. Most recently, she helped launch and served as the inaugural executive director of #CreateLouisiana, a grantmaking and mentorship non-profit designed to champion Louisiana talent in film. Recent grantees supported through #CreateLouisiana have attracted national attention, including 2019 Tribeca multi-award winner Phillip Youmans for his film Burning Cane.

Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

Award-winning filmmaker Margaret Byrne, directed and produced Raising Bertie (POV 2017), a feature documentary following the lives of three African American boys growing up in rural North Carolina. Some of her previous credits include Generation Wealth (2018), All the Queen’s Horses (2017), Emmy-nominated American Promise (POV 2013).

Matt joined Kartemquin Films in the fall of 2018. Prior to joining the team Matt earned his chops editing short videos for nonprofit organizations as well as working as a freelancer on a number of films, including Kartemquin’s Abacus: Small Enough to Jail and America to Me.

Matt now oversees and manages Kartemquin’s postproduction workflow. In conjunction with KTQ’s post team and its filmmakers, Matt provides support in all stages of editing.

Tim Horsburgh is Kartemquin’s Director of Film Strategy, leading the organization's development, production, and distribution of original documentaries through their collaborative production model; industry outreach, strategic initiatives, and brand-building; and serving as the point of contact for Kartemquin Producers and Associates.

Joanna Lakatos joined Kartemquin Films in 2016 as the organization’s Director of Development, bringing 13 years of experience in non-profit management, development and marketing communications – with a deep and longstanding interest in media, the arts and social change. Her areas of expertise include individual and major giving, corporate and foundation relations, special events strategy, strategic planning and campaign management.

Risé Sanders-Weir has supervised production for documentaries appearing on MSNBC, PBS, History, National Geographic, CNBC, A&E, The Weather Channel and others. Her work as a writer, producer, director and supervisor has been recognized with Emmy, Hugo and Telly awards. Sanders has also received nominations for an MPSE Golden Reel and an NAACP Image Award. She is the Producer of America to Me.

Ingrid works in the post-production department at Kartemquin Films. She supports projects through assistant editing, media management, and workflow coordination. Additionally, Ingrid manages distribution traffic for Kartemquin’s catalog of over 60 films, both domestically and internationally. Ingrid has worked with Kartemquin since 2016, and previously oversaw the Kartemquin Archive Project by managing preservation of over 18,000 historic artifacts that span 50+ years of independent documentary filmmaking.

Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff.

Laura joins the Kartemquin team in the Spring of 2018 as the Programs and Engagement Manager. Her duties include overseeing and supporting the KTQ Labs, Diverse Voices in Doc programs. In her role, she will also be supporting the development of impact and engagement strategies for Kartemquin co-productions. She is thrilled to join a community of creatives seeking to make social change through the power of film.

As Community Coordinator, Abbie provides support to Kartemquin's engagement efforts and filmmaker development programs. Abbie’s love of nonfiction film started at a young age. She grew up watching Independent Lens and FRONTLINE on PBS and fell in love with the craft of telling real stories in a creative and engaging manner. That same love of nonfiction film led her to a degree in Media Communication/Film and Media Production at Taylor University.

Tikahya has always had a passion for writing and mathematics. During her high school career, she was in the Creative Writing Club and an e-Board member for the Young Accountants Club. In college, she initially intended on majoring in Journalism with a minor in Finance. During the first two years of college, she noticed she loved creative writing as a hobby and not as a career, resulting in changing majors to Human Resources with the study of Finance. She loves connecting with people, solving problems and making the world a better place one number or word at a time.

Elise joined Kartemquin Films as Archive Associate in 2019, serving as primary attendant to the Kartemquin Archive Project. Elise’s duties involve inventory, assessment, and research for the preservation of nearly 18,000 elements spanning more than 50 years of documentary production. They coordinate the retrieval and tracking of these historical elements, investigate project histories, and act as liaison for consultants and institutions developing long-term archival storage and access solutions. 

​Ryan Gleeson is a documentary filmmaker based in Chicago, Illinois. After cutting his teeth on his parents' VHSC camcorder and spending a summer editing Hyphenated Humor with the late Jerry Blumenthal, Ryan spent half a decade at Kartemquin Films involving himself in a variety of ways, including but not limited to film production, workflow planning, tape archiving, event planning, and gallery curation. He rose to be Kartemquin's Post-Production Manager.

Pedro is the Finance Manager at Kartemquin Films. He assists the Director of Finance & Operations in planning and organizing the activities of day-to-day accounting functions. His responsibilities include overseeing accounts payable, accounts receivable, monthly intercompany processes, and payroll. His interest in documentary films stems from watching Spellbound at a young age as he prepared for a citywide spelling bee.

Mark Mitten is an award-winning producer who has created a variety of media and entertainment projects. Most recently he originated and produced the internationally acclaimed documentary Abacus: Small Enough To Jail, directed by Steve James (Hoop Dreams), which premiered at the 2016 Toronto International Film Festival. Abacus was nominated for the 2018 Academy Award for Best Feature Documentary and was named best Political Documentary by the Critic’s Choice Awards.