Steve James' affiliation with Kartemquin began in 1987 with the start of production of Hoop Dreams, for which he served as director, producer, and co-editor. He has since then become one of the most acclaimed documentary makers of his generation, with noted works being Stevie, The New Americans, The War Tapes, At the Death House Door, The Interrupters, Life Itself, and most recently the 2018 Academy Award®-nominated Abacus: Small Enough to Jail.

Zak is an Emmy and PGA award-winning documentary filmmaker who has made films for over 15 years.

Currently, Zak is producing several feature films: Chicago Story (working title) with producer/director Steve James; Until the Lion Speaks (working title), for Concordia Studio, with co-directors Bing Liu and Joshua Altman; and Generation Food (working title), a film he is also co-directing/producing with Raj Patel and producer Rachel Wexler.

From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.

Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

Mark Mitten is an award-winning producer who has created a variety of media and entertainment projects. Most recently he originated and produced the internationally acclaimed documentary Abacus: Small Enough To Jail, directed by Steve James (Hoop Dreams), which premiered at the 2016 Toronto International Film Festival. Abacus was nominated for the 2018 Academy Award for Best Feature Documentary and was named best Political Documentary by the Critic’s Choice Awards.

David E. Simpson is a highly-awarded filmmaker who brings to his projects a collaborative spirit, proven storytelling chops and formidable attention to detail. Films he has produced, directed or edited have garnered two Emmys, two DuPont-Columbia batons, a pair of Peabody awards, an Oscar nomination, a Sundance jury prize and best in category at countless festivals. He has worked in close association with Kartemquin Films since 1997.

Emily Hart is a director, producer and cinematographer with over two decades experience creating award-winning documentary films and television.  With Kartemquin Films, she produced Steve James’ No Crossover: The Trial of Allen Iverson, which screened at festivals including SXSW, Full Frame, and iDOCS International Documentary Forum in Beijing; was broadcast as part of ESPN Films’ “30 for 30,” winner of the 2010 International Documentary Association Award for Best

Tim Horsburgh is Kartemquin’s Director of Communications and Distribution. Since 2009, he has driven marketing, audience engagement, public relations, and social media for Kartemquin and all their films. In March 2014 he began overseeing Kartemquin's distribution strategy. He is also responsible for assessing and managing potential new Kartemquin documentary projects.

For over thirty-five years, Jim Morrissette has had extensive experience as both a professional videographer and teacher, supporting his conviction that sharing and access are instrumental to the vitality of the independent production community.

Nora Gully is a curious and compassionate video editor who specializes in long-form documentary films. She values the opportunity to learn about people's lives and bring their stories to the screen.

Nora was most recently an editor on How to Build a School in Haiti and Unity Dinners, additional editor on Finding Vivian Maier and post production supervisor for Almost There.

Matt Lauterbach is a documentary filmmaker and editor, an educational media developer, and an advocate for accessible media. He crafts engaging non-fiction content for classrooms, museums, and the big screen.

Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff.

Rachel Dickson is an independent documentary filmmaker based in Chicago. Before working in film, she worked as a print and radio journalist in Latin America. She is currently the Supervising Producer of The School Project, a series of short documentaries and webisodes about public education collaboratively produced by Kartemquin Films, Kindling Group, Media Process Group, Siskel/Jacobs Productions, and Free Spirit Media.

Adam D. Singer began working with Kartemquin Films in 1989, spending 5 years on the critically acclaimed documentary Hoop Dreams, and has continued his association with them ever since. He has worked on various productions, both nationally and internationally, as a producer, cameraman and sound recordist.