Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.

Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff.

Shuling Yong is a Singapore-born, Chicago-based documentary filmmaker, sound recordist and DP with a passion for social change. She has worked on films like Radical Grace (Hot Docs, 2015, dir. Rebecca Parrish), America to Me (Sundance, 2018, dir. Steve James), and And She Could Be Next (dir. Grace Lee and Marjan Safinia).

Diane Quon is an Academy Award-nominated producer who worked as a marketing executive for 17 years at NBC and at Paramount Pictures before moving back to her hometown of Chicago.

Zak is an Emmy and PGA award-winning documentary filmmaker who has made films for over 15 years.

Currently, Zak is producing several feature films: Chicago Story (working title) with producer/director Steve James; Until the Lion Speaks (working title), for Concordia Studio, with co-directors Bing Liu and Joshua Altman; and Generation Food (working title), a film he is also co-directing/producing with Raj Patel and producer Rachel Wexler.

Fenell Doremus has worked in documentary film since graduating from the University of Wisconsin with a BA in Sociology. She began her career as an Assistant Editor on the award-winning Hoop Dreams. She went on to serve as staff Producer at Kartemquin Films for the next eight years. While at Kartmequin, Doremus was Segment Producer and a Segment Editor (Palestinian story) of The New Americans.

For over thirty-five years, Jim Morrissette has had extensive experience as both a professional videographer and teacher, supporting his conviction that sharing and access are instrumental to the vitality of the independent production community.

Adam D. Singer began working with Kartemquin Films in 1989, spending 5 years on the critically acclaimed documentary Hoop Dreams, and has continued his association with them ever since. He has worked on various productions, both nationally and internationally, as a producer, cameraman and sound recordist.

Ian Robertson Kibbe is a freelance filmmaker, writer, producer and musician with over 10 years experience as a producer, director and editor. Ian was the engagement coordinator for the award-winning PBS documentary, The Calling, and its companion campaign, What’s Your Calling (The Kindling Group) and also the engagement coordinator for the Emmy nominated, designer cult hit, Typeface (Kartemquin Films). Ian is currently working on the upcoming Kartemquin documentaries, Raising Bertie and Unbroken Glass. Ian's work has appeared on PBS, CNN, G4, The Health Care Blog, Billboard Magazine and the Huffington Post.

​Ryan Gleeson is a documentary filmmaker based in Chicago, Illinois. After cutting his teeth on his parents' VHSC camcorder and spending a summer editing Hyphenated Humor with the late Jerry Blumenthal, Ryan spent half a decade at Kartemquin Films involving himself in a variety of ways, including but not limited to film production, workflow planning, tape archiving, event planning, and gallery curation. He rose to be Kartemquin's Post-Production Manager.

Hillary Bachelder is a documentary director, cinematographer, and editor. She is the former Director of Production at Kartemquin Films and earned both editing and production credits on over a dozen of the company’s critically acclaimed films and series, including the Emmy-award-winning Trials of Muhammad Ali, POV’s Raising Bertie, and Oscar nominated Minding the Gap. In 2015, she was selected to participate in the prestigious Sundance Documentary Edit and Storytelling lab as an up-and-coming editor of promise.

Matt Lauterbach is a documentary filmmaker and editor, an educational media developer, and an advocate for accessible media. He crafts engaging non-fiction content for classrooms, museums, and the big screen.

Rachel Dickson is an independent filmmaker based in Chicago with a background in journalism and Spanish translation. She produced ‘63 Boycott with Kartemquin Films, which was named on the Academy Awards shortlist for Best Documentary Short Subject, won the Jury Award for Best Short Documentary at the Nashville Film Festival, the Audience Award at the Pan African Film Festival in Los Angeles, and was an official selection of the Museum of Modern Art Doc Fortnight and the DOC NYC Short List.

Suzanne, the Vice President of Finance & Operations at Kartemquin, is a non-profit finance, operations and accounting expert dedicated to building stronger non-profit organizations through better fiscal management and organizational efficiency. Suzanne has a decade of professional experience focused on strengthening the internal capacity of charitable organizations. She believes that navigating the financial challenges unique to non-profits requires a high level of financial accountability, transparency, and integrity. In her role at Kartemquin, Suzanne is responsible for all aspects of the organization’s financial management, general operations, human resources, compliance, information technology, legal affairs and risk management.

Tim Horsburgh is Kartemquin’s Director of Film Strategy, leading the organization's development, production, and distribution of original documentaries through their collaborative production model; industry outreach, strategic initiatives, and brand-building; and serving as the point of contact for Kartemquin Producers and Associates.