Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.

Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff.

Shuling Yong is a Singapore-born, Chicago-based documentary filmmaker, sound recordist and DP with a passion for social change. She has worked on films like Radical Grace (Hot Docs, 2015, dir. Rebecca Parrish), America to Me (Sundance, 2018, dir. Steve James), and And She Could Be Next (dir. Grace Lee and Marjan Safinia).

Zak is an Emmy and PGA award-winning documentary filmmaker who has made films for over 15 years.

Currently, Zak is producing several feature films: Chicago Story (working title) with producer/director Steve James; Until the Lion Speaks (working title), for Concordia Studio, with co-directors Bing Liu and Joshua Altman; and Generation Food (working title), a film he is also co-directing/producing with Raj Patel and producer Rachel Wexler.

Fenell Doremus has worked in documentary film since graduating from the University of Wisconsin with a BA in Sociology. She began her career as an Assistant Editor on the award-winning Hoop Dreams. She went on to serve as staff Producer at Kartemquin Films for the next eight years. While at Kartmequin, Doremus was Segment Producer and a Segment Editor (Palestinian story) of The New Americans.

For over thirty-five years, Jim Morrissette has had extensive experience as both a professional videographer and teacher, supporting his conviction that sharing and access are instrumental to the vitality of the independent production community.

Adam D. Singer began working with Kartemquin Films in 1989, spending 5 years on the critically acclaimed documentary Hoop Dreams, and has continued his association with them ever since. He has worked on various productions, both nationally and internationally, as a producer, cameraman and sound recordist.

Nora Gully is a curious and compassionate video editor who specializes in long-form documentary films. She values the opportunity to learn about people's lives and bring their stories to the screen.

Nora was most recently an editor on How to Build a School in Haiti and Unity Dinners, additional editor on Finding Vivian Maier and post production supervisor for Almost There.

Matt Lauterbach is a documentary filmmaker and editor, an educational media developer, and an advocate for accessible media. He crafts engaging non-fiction content for classrooms, museums, and the big screen.

Rachel Dickson is an independent documentary filmmaker based in Chicago. Before working in film, she worked as a print and radio journalist in Latin America. She is currently the Supervising Producer of The School Project, a series of short documentaries and webisodes about public education collaboratively produced by Kartemquin Films, Kindling Group, Media Process Group, Siskel/Jacobs Productions, and Free Spirit Media.

Tim Horsburgh is Kartemquin’s Director of Communications and Distribution. Since 2009, he has driven marketing, audience engagement, public relations, and social media for Kartemquin and all their films. In March 2014 he began overseeing Kartemquin's distribution strategy. He is also responsible for assessing and managing potential new Kartemquin documentary projects.