Steve James' affiliation with Kartemquin began in 1987 with the start of production of Hoop Dreams, for which he served as director, producer, and co-editor. He has since then become one of the most acclaimed documentary makers of his generation, with noted works being Stevie, The New Americans, The War Tapes, At the Death House Door, The Interrupters, Life Itself, and most recently the 2018 Academy Award®-nominated Abacus: Small Enough to Jail.

Bing is a Chicago-based director and cinematographer who Variety Magazine listed as one of 10 documentary filmmakers to watch. His 2018 critically acclaimed documentary Minding the Gap has earned a total of 28 award recognitions since its world premiere at the 2018 Sundance Film Festival, where it took home the Special Jury Award for Breakthrough Filmmaking. He is also a segment director on America To Me, a 10-hour documentary series examining racial inequities in America’s education system, set to premiere on Starz. Bing was a member of the International Cinematographers Guild for seven years, working alongside master directors of photography including John Toll, Matthew Libatique, and Wally Pfister. Bing is a 2017 Film Independent Fellow and Garrett Scott Development Grant recipient and has a B.A.

Rebecca Parrish is a documentary director, cinematographer and editor. Her feature directorial debut, Radical Grace, was executive produced by Susan Sarandon, and premiered at 2015 Hot Docs followed by AFI Docs, garnering audience awards (Hot Docs Top 5 Audience Favorite and AFI Docs Best of Fest). Other work included the interactive web documentary and engagement campaign. Parrish graduated with honors from Wesleyan University in 2006 with a BA in American Studies. Her coursework explored the operation of race, class and sexuality in U.S. society through Critical Race Theory, Queer Theory and other modalities. Rebecca is a Segment Director / Cinematographer on America To Me.

Born and raised in Chicago, Kevin has served as a director, producer, cinematographer on award-winning documentaries for ESPN, PBS, the NFL Network, and The Big Ten Network. In 2010, Shaw’s short documentary on a quadriplegic trying to regain the ability to walk won the Edward R. Murrow Award for Sports Reporting Excellence. Shaw won a National Sports Emmy for Cinematography for ESPN’s FIFA World Cup Show Opens and Teases. His most recent documentary for ESPN, Shaq and Dale, examined the poignant relationship between megastar Shaquille O’Neal and his collegiate coach at LSU, Dale Brown. Other critically acclaimed films include Goose and The Street Stops Here, which earned rave reviews when it aired nationally on PBS. Most recently, he served as a Segment Director and Cinematographer on the critically acclaimed docu-series America to Me.

John Condne been the film and video teacher at Oak Park and River Forest High School for twelve years. Condne received a Masters Degrees in film/video from Columbia College and in teaching & secondary education from Concordia University. Condne works with many current and former OPRF students on professional productions. He is the Producer on To Bridge the Divide.

Risé Sanders-Weir has supervised production for documentaries appearing on MSNBC, PBS, History, National Geographic, CNBC, A&E, The Weather Channel and others. Her work as a writer, producer, director and supervisor has been recognized with Emmy, Hugo and Telly awards. Sanders has also received nominations for an MPSE Golden Reel and an NAACP Image Award. She is the Producer of America to Me.

From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.

Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

Executive Director Betsy Steinberg joined Kartemquin in December 2015 and oversees daily operations, development, and serves as Executive Producer on Kartemquin projects. Prior to Kartemquin she spent eight years as Managing Director of the Illinois Film Office where she she spearheaded Illinois’ transformation into a world class film destination. She was instrumental in the passage of the Illinois film tax credit and implemented an overall business development strategy resulting in over $1 billion in direct economic impact. During her tenure the state broke all local film industry revenues in 2007, 2010, 2012 and 2013 and the Illinois Film Office was recognized by the Illinois Arts Alliance with an Arts Advocate Award and Cinema Chicago's Golden Hugo. She also served on the Governor's Roundtable on the Creative Arts and the boards of Free Spirit Media, Chicago Media Project and the Midwest Independent Film Festival.

Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff.

David E. Simpson is a highly-awarded filmmaker who brings to his projects a collaborative spirit, proven storytelling chops and formidable attention to detail. Films he has produced, directed or edited have garnered two Emmys, two DuPont-Columbia batons, a pair of Peabody awards, an Oscar nomination, a Sundance jury prize and best in category at countless festivals. He has worked in close association with Kartemquin Films since 1997.

Joshua Abrams has composed scores for 7 feature films, 6 short films, and the themes for StoryCorps Animated Shorts. His music has appeared in Oscar-nominated and Emmy award-winning films by directors Steve James and Bill Siegel, as well as films by Aaron Wickenden, Dan Rybicky, Jamie Meltzer, Dinesh Sabu, and Simon Starling. Joshua's score for Life Itself earned him a nomination for best score of 2015 from Cinema Eye Honors. Ray Pride of New City writes, "Abrams brings nuance and grace to the smallest human moments in his bristling marvel of a score for America to Me. Abrams watches the moment; he anticipates the future, the possibility of change, the possibility of tragedy, and so many grades of emotion. His score is stealth: patient, suggestive, eager to surprise.

From game shows to reality shows and everything in between, Chicago native Janea Smith is a Television Producer and a Consultant who always has a new project up her sleeve. After graduating Cum Laude from Columbia College Chicago, Smith began her career as an Associate Producer on the nationally syndicated show, “The Black Enterprise Report.” Smith has worked on hit shows including, “College Hill”, “The First 48: Missing Persons”, CNN’s “Chicagoland”, and “Empire.” She has also worked for writer/director, Steve Conrad (The Secret Life of Walter Mitty, The Pursuit of Happyness) to serve as his Production Supervisor for an IFC pilot entitled “Timms Valley.” She is a Co-Producer on To Bridge the Divide.

Alanna Schmelter is a film & television editor with a concentration in narrative non-fiction & documentary. After graduating with a degree in film editing from Columbia College Chicago, she started her career by cutting comedy at the world-renowned Second City. She has since edited series for National Geographic, Travel Channel, Ovation and A&E. In January 2016, she finished cutting a feature documentary titled Walk All Night: A Drum Beat Journey (Co-dir: Kate Benzschawel & Mallory Sohmer), about four teenage street musicians from Chicago who embark on a journey to Senegal to explore its culture and their connection to Africa. The film made its Chicago debut at the Black Harvest Film Festival in August of 2016.

Jackson James has worked as a director and cinematographer on over 55+ music videos primarily based in Chicago. He's worked closely with many of the rising musical acts from Chicago, including Ravyn Lenae, Chance the Rapper, Joey Purp, Twin Peaks, Knox Fortune, Towkio, and others, often featuring a wide variety of neighborhoods and settings around Chicago as the backdrop for each piece. Jackson has also worked with his father as a cinematographer for Life Itself and America to Me, as well as an additional camera for The Interrupters.

With over 20 years of experience behind the lens, Darryl has made a commitment to producing visual solutions that meet the creative and technical demands of a diverse clientele. Having the ability to move from behind the camera to the role of a producer has allowed him the unique perspective of being able to tell a captivating story from concept to completion. His projects have given him extensive national and international experience, providing him the necessary skills to adapt to a variety of situations and work with people of various cutlures. Darryl has worked on a variety of projects ranging from documentaries and corporate assignments to independent films, commercials and live events. A few of the organizations that he has worked with include Google, Kartemquin Films, Casey Family Programs, Cities United, Namasté Laboratories, The National Urban League, Village Leadership Academy, Johnson Publishing Company, AARP, Saks Fifth Avenue and Walmart.

Adam D. Singer began working with Kartemquin Films in 1989 spending 5 years on the critically acclaimed documentary Hoop Dreams and has continued his association with them for the past 19 years. He has worked on various productions, both nationally and internationally, as a producer, cameraman and sound recordist. With Kartemquin and director Steve James he produced No Crossover: The Trial of Allen Iverson which had its world premiere at the SXSW Film Festival and aired as part of ESPN Films' 2010 International Documentary Association award-winning series "30 for 30." The film was selected for the IDOCS International Documentary Forum in Beijing, and also played at the Cleveland, Full Frame, Dallas, Nashville and Atlanta film festivals, among others. In 2011, No Crossover was selected by the U.S. Department of State for the American Documentary Showcase.

Keith, co-owner and director of photography for Media Process Group, has shot hundreds of broadcast segments for shows like 60-minutes, Oprah’s Next Chapter, Dateline, and HBO Real Sports, as well as numerous award-winning documentaries for PBS, NBC and CBS. He also shot many corporate marketing and educational projects for clients like the Chicago Symphony Orchestra, the Gates Foundation, Lurie Children’s Hospital of Chicago and Starbucks.

Zak is an Emmy and PGA award-winning documentary filmmaker who has made films for over 15 years. Currently, Zak is producing several feature films: Chicago Story (working title) with producer/director Steve James; Until the Lion Speaks (working title), for Concordia Studio, with co-directors Bing Liu and Joshua Altman; and Generation Food (working title), a film he is also co-directing/producing with Raj Patel and producer Rachel Wexler.

A graduate of Columbia College Chicago, Ryan first joined the Kartemquin family as an intern of Xan Aranda and assisted in the rollout of her film Andrew Bird: Fever Year. Later, as an intern at Kartemquin, he worked on a range of tasks including contributing to outreach on The Interrupters, assisting in editing of the demo of Living Revolution, and helping with Kartemquin’s first KTQ Labs Spring Showcase.