For many, Peter Anton’s house embodies an end-of-life nightmare: the utility companies long ago shut off the heat and electricity, the floorboards are rotting, and the detritus of a chaotic life is precariously stacked to the ceiling. But for the filmmakers Dan Rybicky and Aaron Wickenden, Anton’s home is a treasure trove, a startling collection of unseen and fascinating paintings, drawings, and notebooks, not to mention Anton himself, a character worthy of his own reality TV show. Though aging, infirm, cranky, and solitary, Anton also is funny and utterly resilient. The film’s remarkable journey follows a gifted artist through startling twists and turns. By its quietly satisfying ending, Almost There
has provided enough human drama for a season of soap operas, plus insights into mental illness, aging in America, and the redemptive power of art.
This project was developed with the support of Avid and The Wexner Center for the Arts and has received partial funding from The Indiana Arts Commission, The Puffin Foundation, Columbia College Chicago and a Community Arts Assistance Program grant from the City of Chicago Department of Cultural Affairs and the Illinois Arts Council, a state agency.
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