A Film by
Rachel Dickson
Tracye A. Matthews
Gordon Quinn
Directed By
Gordon Quinn
Produced by
Rachel Dickson
Tracye A. Matthews
Edited by
Liz Kaar
Executive Producers
Betsy Steinberg
Gordon Quinn
Justine Nagan
Music composed by
Tom Sivak
Associate Producers
John Fecile
Zak Piper
Camera
Rachel Dickson
Gordon Quinn
Additional camera
Stan Karter
Mike Shea
Jerry Temaner
Jeff Perlman
Andrew Friend
Location Sound
Dan Auerbach
Carol Brightman
Rachel Dickson
John Fecile
Additional Editor
Margaret Byrne
Rachel Dickson
Matt Lauterbach
Assistant Editor
Hillary Bachelder
John Fecile
Ryan Gleeson
Post Production Supervisor
Rachel Dickson
Technical Supervisor
Jim Morrissette
Motion Graphics
Connor O'Keefe
Evan Staley
Sound Mix
Noisefloor
COLOR CORRECTION
Carlos Cova
Jim Morrissette
Poster Design
Mimi Wilcox
Poster photo
Bill Healy
Art Shay
Post Production Sound Services
Noisefloor
Re-Recording Mixer
Cory Coken
Dialogue Editor
Bryen Hensley
Sound Editor
Victoria Salazar
Additional Music by
Lane Beckstrom
Devin Delaney
Music Licensing
Emily Hart
Post sound facility coordinator
Katie Waters
Impact Coordinators
Teresa White
Latesha Dickerson

Rachel Dickson

Rachel Dickson is an independent filmmaker based in Chicago with a background in journalism and Spanish translation. She produced ‘63 Boycott with Kartemquin Films, which was named on the Academy Awards shortlist for Best Documentary Short Subject, won the Jury Award for Best Short Documentary at the Nashville Film Festival, the Audience Award at the Pan African Film Festival in Los Angeles, and was an official selection of the Museum of Modern Art Doc Fortnight and the DOC NYC Short List.

Tracye A. Matthews

Tracye A. Matthews is a historian, curator, and documentary filmmaker. She is currently the associate director of the Center for the Study of Race, Politics and Culture at the University of Chicago, where she served as a Mellon Postdoctoral Teaching Fellow in 2004-2005.

Gordon Quinn

Founder and Artistic Director

Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

Liz Kaar

Liz Kaar is an independent documentary filmmaker, working in Chicago and Latin America. She edited Kartemquin’s feature-length documentary Typeface, as well as a slew of shorts, demos and trailers for the company.  She’s also produced and directed non-profit videos for the Illinois Department of Public Health, CDC, and The Newberry Library.  Most recently she edited and associate produced the feature-length music documentary Andrew Bird: Fever Year.
 

Justine Nagan

From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.

Zak Piper

Zak is an Emmy and PGA award-winning documentary filmmaker who has made films for over 15 years.

Currently, Zak is producing several feature films: Chicago Story (working title) with producer/director Steve James; Until the Lion Speaks (working title), for Concordia Studio, with co-directors Bing Liu and Joshua Altman; and Generation Food (working title), a film he is also co-directing/producing with Raj Patel and producer Rachel Wexler.

Margaret Byrne

Award-winning filmmaker Margaret Byrne, directed and produced Raising Bertie (POV 2017), a feature documentary following the lives of three African American boys growing up in rural North Carolina. Some of her previous credits include Generation Wealth (2018), All the Queen’s Horses (2017), Emmy-nominated American Promise (POV 2013).

Hillary Bachelder

Hillary Bachelder is a documentary director, cinematographer, and editor. She is the former Director of Production at Kartemquin Films and earned both editing and production credits on over a dozen of the company’s critically acclaimed films and series, including the Emmy-award-winning Trials of Muhammad Ali, POV’s Raising Bertie, and Oscar nominated Minding the Gap. In 2015, she was selected to participate in the prestigious Sundance Documentary Edit and Storytelling lab as an up-and-coming editor of promise.

Ryan Gleeson

​Ryan Gleeson is a documentary filmmaker based in Chicago, Illinois. After cutting his teeth on his parents' VHSC camcorder and spending a summer editing Hyphenated Humor with the late Jerry Blumenthal, Ryan spent half a decade at Kartemquin Films involving himself in a variety of ways, including but not limited to film production, workflow planning, tape archiving, event planning, and gallery curation. He rose to be Kartemquin's Post-Production Manager.

Emily Hart

Emily Hart is a director, producer and cinematographer with over two decades experience creating award-winning documentary films and television.  With Kartemquin Films, she produced Steve James’ No Crossover: The Trial of Allen Iverson, which screened at festivals including SXSW, Full Frame, and iDOCS International Documentary Forum in Beijing; was broadcast as part of ESPN Films’ “30 for 30,” winner of the 2010 International Documentary Association Award for Best