Rachel Dickson is an independent filmmaker based in Chicago with a background in journalism and Spanish translation. She produced ‘63 Boycott with Kartemquin Films, which was named on the Academy Awards shortlist for Best Documentary Short Subject, won the Jury Award for Best Short Documentary at the Nashville Film Festival, the Audience Award at the Pan African Film Festival in Los Angeles, and was an official selection of the Museum of Modern Art Doc Fortnight and the DOC NYC Short List.

Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.

Zak is an Emmy and PGA award-winning documentary filmmaker who has made films for over 15 years.

Currently, Zak is producing several feature films: City So Real with producer/director Steve James; Until the Lion Speaks (working title), for Concordia Studio, with co-directors Bing Liu and Joshua Altman; and The Ants and the Grasshopper (working title), a film he is also co-directing/producing with Raj Patel and producer Rachel Wexler.

Award-winning filmmaker Margaret Byrne, directed and produced Raising Bertie (POV 2017), a feature documentary following the lives of three African American boys growing up in rural North Carolina. Some of her previous credits include Generation Wealth (2018), All the Queen’s Horses (2017), Emmy-nominated American Promise (POV 2013).

Matt Lauterbach is a documentary filmmaker and editor, an educational media developer, and an advocate for accessible media. He crafts engaging non-fiction content for classrooms, museums, and the big screen.

Hillary Bachelder is a documentary director, cinematographer, and editor. She is the former Director of Production at Kartemquin Films and earned both editing and production credits on over a dozen of the company’s critically acclaimed films and series, including the Emmy-award-winning Trials of Muhammad Ali, POV’s Raising Bertie, and Oscar nominated Minding the Gap. In 2015, she was selected to participate in the prestigious Sundance Documentary Edit and Storytelling lab as an up-and-coming editor of promise.

​Ryan Gleeson is a documentary filmmaker based in Chicago, Illinois. After cutting his teeth on his parents' VHSC camcorder and spending a summer editing Hyphenated Humor with the late Jerry Blumenthal, Ryan spent half a decade at Kartemquin Films involving himself in a variety of ways, including but not limited to film production, workflow planning, tape archiving, event planning, and gallery curation. He rose to be Kartemquin's Post-Production Manager.

For over thirty-five years, Jim Morrissette has had extensive experience as both a professional videographer and teacher, supporting his conviction that sharing and access are instrumental to the vitality of the independent production community.

A recent graduate from the Northwestern University's Documentary Media MFA, Carlos joins Kartemquin seeking to take part in socially relevant and impactful filmmaking. In the summer of 2015, Carlos was an intern at Kartemquin, helping in different tasks for the communications and outreach of films like Raising Bertie, Almost There and In the Game.

Emily Hart is a director, producer and cinematographer with over two decades experience creating award-winning documentary films and television.  With Kartemquin Films, she produced Steve James’ No Crossover: The Trial of Allen Iverson, which screened at festivals including SXSW, Full Frame, and iDOCS International Documentary Forum in Beijing; was broadcast as part of ESPN Films’ “30 for 30,” winner of the 2010 International Documentary Association Award for Best