Media

Monday, March 23, 2015 3:00 pm

Chicago Cultural Center - GAR Hall and Rotunda
77 East Randolph Street
Chicago, IL

The Indie Caucus, along with WTTW, WNET, PBS, POV, Independent Lens, and ITVS, will be in Chicago for the third and final stop in the National Listening Tour for Independent Films on PBS.

Hosted by
Kartemquin Films,
371 Productions,
Chicago Film Office, and
City of Chicago Department of Cultural Affairs and Special Events

Make your voice heard on the last stop of the PBS Listening Tour in Chicago. This is your chance to help set the priorities and share ideas around strengthening viewership, distribution, and community engagement of independent film.

It's our final chance to be heard. We need YOU to be there and to speak up. Please rsvp here: https://pbslisteningtourchicago.eventbrite.com

If you are in or around Chicago, please join this important conversation.

Friday, May 8, 2020 5:00 am

Celebrate May with your favorite nuns! Inquiring Nuns is now streaming as part of the Le Joli Maysles Series.

Tickets: $10 for 72 hour rental

Le Joli Maysles is a celebration of the beautiful month of May at Maysles Cinema. This series summons its name from Chris Marker and Pierre Lhomme's, Le Joli Mai (1963), a portrait of Paris just after the ceasefire between France and Algeria. This seminal documentary, with its on-the-street interview and reflections on happinesses, itself harks back to Chronicle of a Summer (1961), in which Jean Rouch and Edgar Morin took the streets of Paris to ask people the blunt (and sometimes confrontational) question, "are you happy?". These films capture the truths and fictions generated between filmmaker and film subject, and situate personal wellbeing within a larger web of political struggle and collective consciousness.

Le Joli Maysles looks at the lineages of Le Joli Mai and Chronicle of a Summer in a wide range of repertory and new release documentaries. The filmmakers in this series (including but not limited to: Mark Street, Brett Story, Gordon Quinn) contemplate issues of labor, bodily autonomy, personal safety, impending crisis, rising temperatures, and the passage of time. Sometimes tributing Marker and Rouch and sometimes challenging them, these filmmakers connect the lives of individual people with their complex social, political, and economic environments. They take a hard and thoughtful look at the present moment-actual people and their collective memories, anxieties, and desires-while gesturing toward an endlessly uncertain future.

Kartemquin Films Teams with Hulu on Accelerator Program for Filmmakers of Color

Today at the Sundance Film Festival Kartemquin Films and Hulu announced a two-year partnership that will offer an unprecedented opportunity for alumni of Kartemquin’s acclaimed Filmmaker Development Programs. Combining Kartemquin’s expertise in nurturing emerging, diverse midwest-based filmmakers and projects with Hulu’s groundbreaking support of original documentaries, the Hulu / Kartemquin Accelerator program will launch in March 2020.

Continued

Saturday, November 12, 2016 4:45 pm

Omni William Penn Hotel
530 William Penn Place
Pittsburgh, PA

The Association of Moving image Archivists, AMIA will be holding its annual conference in Pittsburg. Nancy McDonald and Carolyn Faber (head of Kartemquin Archives project) will be conducting a panel together with Sarah Chapman from Media Burn Archives on Saturday, November 12.

Throughout 2015 and 2016, Media Burn Archives collaborated with Kartemquin Films to create the first public access to collections of camera-original footage from KTQ’s archive. More than 200 unreleased video tapes in will be available for free public viewing on mediaburn.org by the end of 2016. It will be the first time any footage from KTQ’s 50-year archive of 18,000 items related to documentary productions will be made available to the public in any form. The panelists will discuss the rationale for prioritizing the preservation of camera-original footage and ways to engage the public with the digital access, the risk factors specific to the long-term survival of independently produced work from the videotape era, the complexities of creating and sustaining a formal archive at an active production company, as well as how to frame a mutually beneficial structure for an archive to create access to a collection held by an outside organization.

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