

"The best film of the 1990's" - Roger Ebert, Chicago Sun-Times
First exhibited at the 1994 Sundance Film Festival, where it won the audience award for best documentary, Hoop Dreams is the remarkable true story of two American dreamers; an intimate reflection of contemporary American inner-city culture, following two ordinary young men on the courts of the game they love.
Plucked from the streets and given the opportunity to attend a suburban prep school and play for a legendary high school coach, William Gates and Arthur Agee both soon discover that their dreams of NBA glory become obscured amid the intense pressures of academics, family life, economics and athletic competitiveness. But most importantly, both boys remain focused on their dream, no matter how hard tragedy strikes or how desperate their situation becomes. It is their faith in the game that unites their family and gives each person hope. And it is this faith that ultimately allows them to build upon their failures as well as their triumphs and make for themselves a potentially better life.
"At its center, we wanted the film to be warm and emotional," says producer Peter Gilbert. "We want people to see these families as going through some very rough times, overcoming a lot of obstacles, and rising above some of the typical media stereotypes that people have about inner-city families."
What emerges from Hoop Dreams is far more than a sympathetic portrait of two black teenagers reaching for the stars. While remaining epic in scope, it manages to be intimate in detail, chronicling the universal process of growing up, coming of age, the love and conflict between fathers and sons, brothers, best friends and spouses.
It's about success and failure not just on the court, but in school, at home, and ultimately, in society. And it does it in a way that no other film on sports has done before: it gives viewers an intimate look at the pursuit of the basketball dream while it is actually happening. Hoop Dreams was recently named to the Library of Congress's National Film Registry, signifying its enduring importance to the history of American film.
176 minutes
No Crossover launches full court press on festival circuit
March 12, 2010
No Crossover: The Trial of Allen Iverson begins a run of festival screenings this Sunday, March 14th with its official world premiere at SXSW, before making appearances at Cleveland, SilverDocs, Dallas, Sarasota, the Midwest Independent Film Festival, Full Frame and Nashville. And those are just the ones we can tell you about!
Director Steve James will be in attendance at the SXSW premiere, and will also take part in a panel discussion during the festival. The film also screens in Austin on March 19th.
Following SXSW, James will take the film to the Cleveland Film Festival for two screenings on March 20th and 21st, before presenting a special SilverDocs screening of the film in Maryland on March 29th. No Crossover is also confirmed to screen in Chicago for the Midwest Film Festival on April 6th, and at Full Frame on April 9th. Expect confirmed dates for Dallas, Sarasota and Nashville (where Steve James will also present his classic film Hoop Dreams) to be announced very soon.
- Producers
- Steve James
- Frederick Marx
- Peter Gilbert
- Director
- Steve James
- Executive Producer
- Gordon Quinn
- Catherine Allen
"Today, fifteen years after I first saw it, I believe "Hoop Dreams" is the great American documentary. No other documentary has ever touched me more deeply. It was relevant then, and today, as inner city neighborhoods sink deeper into the despair of children murdering children, it is more relevant."
—Roger Ebert, Chicago-Sun Times, for Hoop Dreams' 15th Anniversary in 2009.
Academy Awards, 1995 – Nominee, Best Film Editing
George Foster Peabody Award, 1995
Robert F. Kennedy Journalism Award, 1995
Sundance Film Festival, 1994 – Audience Award


