- Co-Director / Writer
- Raj Patel
- Zak Piper
- Consulting Director / Executive Producer
- Steve James
- Cynthia Kane
- Transmedia Producer
- Cathy Fischer
- Executive Producer
- Julie Goldman (Motto Pictures)
- Rachel Wexler (Bungalow Town Productions)
- Gordon Quinn
- Betsy Steinberg
- Impact Producer:
- Roseli Ilano
Zak is an Emmy-winning Documentary Producer who previously served as Director of Production at Kartemquin Films for more than a decade. Most recently, he produced Saving Mes Aynak, which follows an Afghan archaeologist as he and histeam race to save a 2,000-year-old Buddhist archaeological site in Afghanistan from imminent demolition by a Chinese copper mine. Zak also produced the critically acclaimed film Life Itself.
Steve Jame' affiliation with Kartemquin began in 1987 with the start of production of Hoop Dreams, for which he served as director, producer, and co-editor. He has since then become one of the most acclaimed documentary makers of his generation, with noted works being Stevie, The New Americans, The War Tapes, At the Death House Door, The Interrupters, Life Itself, and most recently the 2018 Academy Award®-nominated Abacus: Small Enough to Jail.
A former commissioning editor for documentary, Cynthia helped transform the way global documentaries are seen on American television. She created DOCday on Sundance Channel in 2002, and shepherded over 150 international and U.S. co-productions for public media at ITVS. More recently, she helped launch Al Jazeera America Presents with series (including Kartemquin's Hard Earned which won a 2016 Alfred I. DuPont-Columbia Award) and documentaries (Albert Maysles' final work, In Transit, Leon Gast's Sporting Dreams, Barbara Kopple's Shelter, Jennifer Maytorena Taylor's Daisy and Max, Michelle Shephard and Patrick Reed's Guantanamo's Child, Marc Levin's Freeway: Crack in the System, the last two recently nominated for Emmys.)
Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people.
Executive Director Betsy Steinberg joined Kartemquin in December 2015 and oversees daily operations, development, and serves as Executive Producer on Kartemquin projects. Prior to Kartemquin she spent eight years as Managing Director of the Illinois Film Office where she she spearheaded Illinois’ transformation into a world class film destination. She was instrumental in the passage of the Illinois film tax credit and implemented an overall business development strategy resulting in over $1 billion in direct economic impact. During her tenure the state broke all local film industry revenues in 2007, 2010, 2012 and 2013 and the Illinois Film Office was recognized by the Illinois Arts Alliance with an Arts Advocate Award and Cinema Chicago's Golden Hugo. She also served on the Governor's Roundtable on the Creative Arts and the boards of Free Spirit Media, Chicago Media Project and the Midwest Independent Film Festival.