Brad Lichtenstein is an award-winning filmmaker and the president of 371 Productions. He has been working in documentary production since 1992. His latest film, As Goes Janesville, is a documentary about how a town tries to reinvent itself amid the loss of their century-old GM plant and Wisconsin’s civil war over unions. It premiered on the PBS series Independent Lens in October of 2012 and aired again on Feb. 4th, 2013. The film’s storyline about corporate transparency inspired him to create “BizVizz“, a corporate accountability app and website that gives you instant access to companies’ tax, campaign finance and government subsidy records.
Leslie Simmer is Kartemquin's Director of Editing as well as Senior Editor on staff.
Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people.
From 2008-2015, Justine led Kartemquin Films as Executive Director as well as being an Executive Producer on each new film. She was responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and made major strides in building a foundation for long-term sustainability.
Nora Gully is a curious and compassionate video editor who specializes in long-form documentary films. She values the opportunity to learn about people's lives and bring their stories to the screen. Nora was most recently an editor on How to Build a School in Haiti and Unity Dinners, additional editor on Finding Vivian Maier and post production supervisor for Almost There. She spent five years as Kartemquin Films’ Post Production Associate. Her first credit was on the Emmy-award-winning The Interrupters, first as assistant editor and subsequently as post-production supervisor. She shepherded its popular festival run, its theatrical release, and delivered multiple versions to national and international broadcasters, including PBS Frontline, BBC Storyville, CBC’s The Passionate Eye and Canal Plus.