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Aaron Wickenden is a filmmaker with extensive experience in post-production. He recently Co-Produced, Co-Edited, and was the Post-Production Supervisor for Kartemquin's award winning film At the Death House Door (2008). Wickenden's post career began in documentary when he was the Post-Production Coordinator and Graphics Compositor for The New Americans (2004). He went on to be the Associate Producer, Post-Production Supervisor and Additional Editor on the feature documentary Reel Paradise (2005), which premiered at the Sundance Film Festival and was released theatrically. On his next project, The War Tapes (2006), the first war documentary shot by American soldiers themselves, Wickenden served as Associate Editor and Post-Production Supervisor. His recent work also includes Assistant Editor to the Academy Award winning Editor Lisa Fruchtman on the dramatic feature Bonneville (2007), and Associate Producer and Additional Editing on the Kartemquin documentary Milking the Rhino (2008). He is currently collaborating on a book titled Almost There about the life and scrapbooks of an outsider artist living in East Chicago, IL, and editing for The Interrupters.